Best of the West, Vol. 1: Classic Stories of the American Frontier (Western audiobook anthology)

Best of the West, Vol. 1: Classic Stories of the American Frontier is a 2009 audio anthology of classic and modern classic Western stories by a wide range of authors from Matt Braun to Zane Grey, from Will Henry to Elmer Kelton. Here are some highlights:

Author Gordon D. Shirreffs (Rio Desperado) is always good for a Western filled with complex characters and situations, and "Death Hires These Guns!" is no different. Reed Emmons is in the Mexican border town of Nogalles when he gets word that his brother Rance was killed by a backshooter. Of course, he wants revenge, but he has trouble getting a bead on the killer.

First, it's Burt Whitman, marshal at the Cottonwood seat, but the evidence is circumstantial. Turns out Rance was seeing Whitman's sister Aurelia. But when Reed goes in disguise and finds Whitman had nothing to do with his brother's death, will an extra complication make him go through with his plan anyway?

In Loren D. Estleman's "The Death of Dutch Creel" (also available in his Western collection The Bandit and Others), someone who was actually at the titular event (in a way) sets the record straight after seeing a particularly sensationalist "authentic" retelling at the pictures. Arte Johnson's reading emphasizes the wry humor.

Gary McCarthy tells the story of a frontier doctor, James Stanton, who needs to learn how to "Grab, Root, and Growl" if he's going to marry the woman he loves. On the cusp of ending their relationship, he gets his chance. McCarthy portrays another kind of "true grit" here, in having Stanton show that one person's definition of "quitter" does not suit everybody.

Westerns from the Library

I went to the library in the next town over the other day. (If you have a library card in my state, you can borrow from any library in the state's network.) This was primarily because they have a much wider selection of Westerns than the library in my town.

However, as the librarians have mentioned, these Westerns are kept mostly to satisfy a handful of enthusiastic older gentlemen who stop in every so often. As such, I would guess that around 90 percent of them are large-print books. This is not my preference when it comes to reading material, but I'm just happy that the books are there at all.

Usually when I visit, there are numerous folks filing through the various stacks but I am alone in the Western section. Today, however, one of these spoken-of gentlemen was there, too.

We had a short conversation where he mentioned that he got the books for himself and his wife, who has macular degeneration, so he gets the large-print books, though "I have 20/20 vision." (It's little loving deeds like this that make for happy marriages, gents. Remember that.)

I also took the opportunity to ask him for recommendations. After letting me know that his favorite author was Johnstone, and saying that he didn't much care for Max Brand (too much description), he took a few moments to show me some specific books. Though these initial comments led me to believe our tastes might actually be diametrically opposed, I listened appreciatively and with an open mind. (After all, I won't really know until I've tried them, right?) The four I checked out are below.

The Man Who Believed in the Code of the West by George L. Voss

I found this one myself. The title and premise interested me, as did the portion of the author's bio that states on the back flap of this first edition hardcover (which, incidentally, cost $6.95 new) that "Like James Fenimore Cooper, George L. Voss began writing late in life because he was dissatisfied with what he was reading."

It's about a Harvard graduate who goes out West, and the promotional material calls the character "a combination of Destry and The Man Who Shot Liberty Valance." And if those three classic-Western references don't seem like overkill yet, it continues, "but he has more charm, more wit, and yes, more true grit."

Death Rides the Denver Stage by Lewis B. Patten

I know Death Rides the Denver Stage will be a good one, since I've previously enjoyed Patten's short novel Wild Waymire. (Not to mention the numerous recommendations of his work by fellow bloggers and authors I admire.)

I also seem to have a liking for "Death does something" titles, given my enjoyment of both Death Waits at Sundown and Death Rides a Chestnut Mare (possibly my favorite title for a Western, and a damned fine read to boot).

(Patten himself wrote another called Death Rides a Black Horse, which has this fantastic review on Amazon you should read.)

Killer's Gun by Ray Hogan

Interestingly enough, in searching the electronic card catalog for newer Westerns, I came across the previously unknown name Ray Hogan. The cover to Killer's Gun intrigued me with its bold simplicity. So when Hogan was one of the names the elder gent recommended, I snatched it up with eagerness.

The book is a reprint of a 1966 novel by the prolific Hogan, who also has a good number of books available for the Kindle from Prologue Books. Luke Wade is searching for the man who killed his father. In the meantime, he gets work on a cattle drive and, against rustlers, manages to find ways to keep his "killer's gun" in good shape.

Jubal Cade #2: Double Cross by Charles R. Pike

My benefactor specifically pointed out this series as he stated that the library had all the volumes except the first. Numerous Web sources suggest that the first three books were written by author Terry Harknett, better known under another pseudonym as George G. Gilman behind the wildly popular and influential Edge and Steele series. (The Jubal Cade series was then continued to its conclusion by fellow "Piccadilly Cowboy" Angus Wells, with one intervening volume by Ken Bulmer.)

Based on the summary of this book, the first one saw poor old American doctor, trained in England, Jubal Cade losing his British wife to a killer Lee Kincaid and having to take a blind orphan boy under his care. Because of the need for money on his search for vengeance, he becomes a gun for hire. I've only read a couple of the Edge novels, but based on that, I'm excited to delve into this other series.

Dark Thicket by Elmer Kelton (Civil War-era Western novel)

Owen Danforth is home from the American Civil War on temporary leave until his arm, deeply wounded by a Yankee saber cut earned in battle, heals well enough for his return. But Owen is not returning to a peaceful Texas: the people of his hometown are as divided here as on the battlefield. Even at home — Owen's father Andrew is a staunch Unionist though his son fights for the Confederacy.

But blood is thicker than politics, and to keep Andrew out of danger, Owen puts himself in the middle of a different kind of conflict but just as dangerous — and helping two women prisoners escape to the Dark Thicket from Phineas Shattuck and other local heel flies is just the beginning.

Elmer Kelton is one of the greats. His books have substance; they're as meaty and satisfying as a well-grilled T-bone. Buffalo Wagons was the first Western I read that made me realize the genre could offer depth along with a fast-paced read and historical authenticity. It's hardly a wonder that he has won 6 Spur Awards and was voted best Western writer of all times by his peers at the Western Writers of America.

In Dark Thicket, Kelton shows the other side of the Civil War — how it affected those back home, turning old friends into enemies (though those enemies are nonetheless eager to be friends again after the war is over). And in Phineas Shattuck, Kelton offers a villain that is both frightening in his realism and fun to hate in his over-the-top actions.

Kelton combines history with a no-nonsense writing style that expresses genuine human emotion without resorting to overt sentimentality, creating characters that are believable in their conflicted, sometimes inconsistent natures, with real feelings that linger in the reader's mind long after the book has been put back on the shelf. I feel I learned more about the actual effects of the War Between the States on individuals from Dark Thicket than from any history book.

Death Waits at Sundown by L. Ron Hubbard (pulp Western audiobook)

These days, L. Ron Hubbard's name is largely connected with the antics of the some of the more "outspoken" members of Scientology, overshadowing the fact that the man really knew how to tell an entertaining story. All 150 of the stories Hubbard wrote for the pulp magazines of the 1930s and '40s are being rereleased in paperback and audio under the evocative title Stories from the Golden Age.

The audiobooks are a professionally produced combination of traditional audiobooks, with narration deftly handled by actor R.F. Daley, and old-time radio, with skilled actors, genre-specific music, and sound effects.  Death Waits at Sundown contains three stories: the title tale, "Ride 'em Cowboy" and "The Boss of the Lazy B."

When a vigilante committee convicts young Frank Taylor of stage robbery, he is scheduled to hang at sundown. His brother Lynn tries to cast doubt on Frank's guilt by robbing the next coach himself -- with the help of the sheriff, whom the vigilantes ran out of office. This is an exciting listen that was first published in Street and Smith's venerable Western Story magazine in the fall of 1938.

"Ride 'em Cowboy" is easily filed under "ranch romance," so much that one would think it first appeared in the long-running pulp of the same name instead of a summer 1938 issue of Western Story. All his life "Long Tom" Branner has been developing his horsing skills in order to prove himself worthy of Vicky Steward. But Vicky is looking to prove herself, and nothing irks her more than competing and coming in second place to Long Tom. The lead actress in "Ride 'em Cowboy" is unfortunately a detriment to this audio, but the action-filled climax more than makes up for it.

All three of the stories dramatized in Death Waits at Sundown should appeal to fans of good old-fashioned Western pulp fiction, and even more so to those who have enjoyed the Western offerings of old-time radio.

Torture Garden directed by Freddie Francis (starring Peter Cushing, Burgess Meredith, Jack Palance)

Torture Garden (1967). Screenplay by Robert Bloch, based on his short stories "Enoch," "Terror Over Hollywood," "Mr. Steinway," and "The Man Who Collected Poe."

Horror and carnivals: how long have these two been connected?  In any case, Torture Garden — a horror anthology film based on short stories written by Robert Bloch (who also wrote the screenplay, adding the wraparound story that ties them all together) — begins with a barker inviting us into the show.  

"You'll shriek, you'll shudder, you'll shiver," he promises.  "But it's all in fun and no harm done."

We pay our half-crown and enter the realm of Dr. Diabolo (Burgess Meredith, looking reminiscent of his turn as the Penguin on TV's Batman).  His private exhibit offers patrons a look at their potential future, and the possible manner of their death if they give in to their inner evil.

The first story, loosely based on Bloch's 1946 Weird Tales story "Enoch," involves a man's search for his uncle's gold stash.  What he uncovers instead is a devil cat with a hunger for human heads.  Michael Bryant is somehow believable as a man under feline mind control, and the closeups of the cat's eyes help it along.

Next comes an adaptation of "Terror Over Hollywood" from Fantastic Universe in 1957, centering on an actress (Beverly Adams) who sabotages her roommate's date with a Hollywood bigwig to take advantage of it herself ... and gets in way over her head when she sticks her nose where it doesn't belong.  Adams is good as an overly ambitious starlet, but the story derails when it veers off into science-fiction territory.

The starlet's best friend (Barbara Ewing) is up next as a reporter who interviews a concert pianist (John Standing) then falls in love with him — much to the consternation of his piano, a jealous embodiment of the musical goddess Euterpe.  This silly conceit (originated in "Mr. Steinway," Bloch's feature in the April 1954 issue of Fantastic) is not helped by the predictable narrative, though the piano is suitably menacing.  ("She" also gives the best performance in this section.)

Finally, after standing around with a pipe in his teeth for over an hour, Jack Palance utters his first words as Ronald Wyatt, an Edgar Allan Poe fanatic who gets very excited when he finds that the collection of fellow Poe aficionado Lancelot Canning (Peter Cushing) also includes the famous author himself. 

Author Bloch was a huge Poe fan in his own right — he was the first to complete the one known incomplete work, "The Lighthouse" — and this knowledge adds to the verisimilitude of the story, based on "The Man Who Collected Poe" from Famous Fantastic Mysteries in 1951.  Also a plus is Palance, who is cast against type as an anxious, bookish type.

Much like Bloch's novels from the era, the stories in Torture Garden combine his talent for eerieness with a tongue-in-cheek approach that is not afraid to court the ridiculous in the name of a well-told story.  Those not familiar with Bloch's work may use Tales from the Crypt as a comparison (also directed by Freddie Francis and featuring Peter Cushing), though it came out five years later.

In addition to the stories mentioned above, the movie also features the goddess Atropos and her shears.  She (Clytie Jessop) appears in a different manifestation in each tale (really the only thing other than the wraparound that ties them together), and even the wraparound has a twist.  Torture Garden is by no means a classic, but it is definitely a good, fun time for those who enjoy horror anthology films.

Re-Kindling Interest: Horrorween by Al Sarrantonio (Halloween horror, Orangefield series)

This is one of a series of reviews focusing on out-of-print works that have become available again via a variety of e-book formats.

Orangefield is a strange little town. As Detective Bill Grant said in The Baby, a lot of "weird shit" happens around Halloween, in one way or another involving the participation of Samhain, the lord of the dead. A children's-horror author, a five-year-old boy, an older girl named Wizard, a Halloween historian, and a pumpkin tender are all connected by visits from Samhain. Horrorween chronicles a series of events that comes to a head on Halloween, when people will die, others will redeem themselves, and Samhain with either succeed or fail.

Horrorween is primarily composed of three early Orangefield stories -- the short story "Hornets," the novella The Pumpkin Boy, and the short novel Orangefield -- tied together with narrative glue to form a novel that is a surprisingly cohesive read.

Sarrantonio combines the horror and innocence of Halloween in a way no one has since Ray Bradbury. Horrorween, unlike the vast majority of modern horror novels, is subtle, not beating the reader senseless with shock after shock but developing a sustained level of tension. When Sarrantonio delivers the final blow, it's almost a relief.

And his horrors are truly shocking events that anyone can relate to -- not based on what Stephen King called "the gross-out." Don't get me wrong: some of my favorite horror authors are gross-out artists, but it's refreshing to encounter horror of the old school that seeks to truly terrify, yet is otherwise basically PG-rated.

Though Sarrantonio has a very accessible style, his storylines manage to be unpredictable and not easily summarized because to describe the action would either be unhelpfully vague or would give something away. And that would be a shame because Horrorween offers such a terrific ride for lovers of Halloween and light horror fiction.

For more Halloween recommendations, check out my 2009 Halloween feature.