This is an expanded version of the review that was originally published in the now-sadly-defunct Down in the Cellar magazine. Copyright 2006. Reprinted with permission.
"He's the October Boy ... the reaper that grows in the field, the merciless trick with a heart made of treats, the butchering nightmare with the hacksaw face ... and he's gonna getcha! That's what they always told you ... he's gonna getcha so you know you've been got!!!!!" — from Dark Harvest
Every year around Halloween, I choose an old favorite set around the holiday to reread and get into the literary mood. Sometimes it's an entry in the Orangefield series by Al Sarrantonio, sometimes the anthology October Dreams, but this year it was Norman Partridge's high-octane horror novella Dark Harvest.
From the jack-o'-lantern on the cover, it's easy to tell that this novella is Halloween-related. But where most pumpkin-heads are fairly innocuous-looking, this one is positively threatening, which gives you some idea of the book's contents: intense effects in a short amount of time.
In fact, Dark Harvest is so much better than the early fiction that came out in the rerelease of his short-story collection Mr. Fox and Other Feral Tales that it is hard to believe they were written by the same person.
You know this kind of story: it's the legend every small midwestern town has, and Partridge has managed to keep things familiar and yet fill this novella with surprises. It's got the nostalgia of Ray Bradbury's classic Something Wicked This Way Comes with a touch of The Twilight Zone and the kind of dark suspense that Partridge specializes in, but the author has also included a melancholy thread that adds depth.
It's that time again: Halloween night, the night when all teenage boys are released, after being locked in their rooms for five days, and set off to find "The October Boy," a midwestern nightmare with a jack-o'-lantern for a head and one thing on its mind: getting to the church on time (no, really). The boy who kills this awful creature (also known as "Sawtooth Jack") gets to leave town, or "jump the Line," something that has become increasingly more difficult, especially with Officer Jerry Ricks enforcing the border. But Pete McCormick thinks this is his year. He has stolen Officer Ricks's .45 and he is determined to get out of the town that has been holding him and his family, and everyone else in it, down for generations.
Dark Harvest is by turns frightening and sad, scary and tragic. It is a pure Halloween horror story, but one whose ripples extend past the time it takes to read it (only a few hours). The characters are people you know, only in a situation you couldn't have imagined that nevertheless feels entirely plausible given the right set of circumstances. I believe that Partridge has crafted a new Halloween classic, one that should find a permanent place on the shelf of every fan of the holiday who appreciates solid writing with no spare parts.
Thursday, October 31, 2013
Modern Halloween Classic: Dark Harvest by Norman Partridge (horror novella)
Reviewed by
Craig Clarke
at
7:13 AM
Labels:
Halloween,
horror,
modern classic,
Norman Partridge,
novellas
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