Showing posts with label F. Paul Wilson. Show all posts
Showing posts with label F. Paul Wilson. Show all posts

Saturday, October 31, 2009

Halloween Week: October Dreams: A Celebration of Halloween edited by Richard Chizmar and Robert Morrish (short stories and essays)

Anthologies are usually, simply by their nature, uneven. When you depend on many different brains to come up with quality stories, you're bound to get some duds. It is this expectation that makes October Dreams such a pleasant surprise. In fact, there are so many good pieces in here, that it's easier to pick out the minuscule number of lesser ones (Hugh B. Cave, Dominick Cancilla) in this well-executed tribute to Halloween.

October Dreams is subtitled "A Celebration of Halloween" and it takes its task seriously. Interlaced with classic Halloween stories — and new ones written especially for this collection — are "My Favorite Halloween Memory" reminiscences from the authors, as well as a reading list, a film list, and a history of Halloween that focuses on the modern cultural aspects (as opposed to the usual approach of dwelling on its pagan origins).

Usually in an anthology, I've found a few disappointments by the time I've read five stories, but October Dreams has to be the most consistent collection of stories I have ever read. I didn't find anything to criticize until about the middle of the book. Editors Richard Chizmar (publisher of the dark suspense magazine Cemetery Dance) and Robert Morrish (the magazine's editor until he stepped down recently) have really done their work here. Of course, with a selection of authors like Dean Koontz, Poppy Z. Brite, Ray Bradbury, Ramsey Campbell, Peter Straub, and F. Paul Wilson, how could they go too far wrong?

A few stories stand out from the pack, and these were the ones I chose to read out loud on Halloween night. First was "The Circle" by Lewis Shiner which is a Twilight Zone–style tale of a group of people who gather to read stories on Halloween and get a surprise when one of their members is absent but sends in a story to read anyway. Viewers of the series will probably detect the twist before the end, but it is still an enjoyable read because it follows the formula so well. The other stand out is "Mask Games" by John Shirley, where a family invites a mysterious cousin over for a Halloween party and she brings a strange game for everyone to play. This one was disturbing and creepy and kept me riveted throughout its thirty-five pages.

That "Mask Games" is one of the longer offerings is also a bonus, as any story in October Dreams can generally be read in one sitting. The one exception is "Porkpie Hat" by Peter Straub, which is a seventy-odd page novella and another disappointment. The length, I think, is the main problem. Straub, known for being long-winded at times in his fiction, takes far too long to relate the central story within the story and made me wish he would just get on with it. The beginning and end were much tighter and contained an idea I would like to see expanded upon, that of an interview with a reclusive jazz legend.

Some people have pointed a finger at F. Paul Wilson's story "Buckets" — about an abortion doctor who is terrorized by the spirits of his pre-natal victims — saying it does not belong in an anthology that is supposed to be a celebration, because they didn't like its "agenda." I disagree. I think that Wilson, as a practicing physician, is simply tapping into his own fears — sort of a "what if?" — which makes the terror that much more palpable.

Terror is an emotion that is not rampant in these tales, most of which walk along the fun side of fear, while others aim merely for disturbing. Surprisingly, "Heavy Set" by Ray Bradbury is one of these. The ending does not spell out the actions of the character in question, which makes us project our own ideas and let our imagination run wild. Sometimes, since so much focus is placed on the nostalgic nature of his tales, it's easy to forget that Bradbury is quite a hand at the horror story.

October Dreams is perfect reading for the week before Halloween. (I know, because that's when I read it.) It really gets the reader into the spirit of the holiday. Plus, the reading list ("Trick-or-Read" by Stefan Dziemianowicz) and film list ("'First of all, It Was October...'" by Gary Braunbeck) give other suggestions for holiday entertainment to be relished after you've finished with this wonderful book.

Happy Halloween!

Thursday, January 10, 2008

Ten More Great Reads from 2007

This is my second Best Books I Read in 2007 list. (The first one is here.) This one consists of those books that were not first published in 2007. These should not in any way be taken as lesser selections — in fact the best book I read all year is on this list — I just wanted to keep them separate.

So, here they are, alphabetically by author, along with their year of publication. Any links go to the more detailed reviews I wrote when I first read them. Others you can research yourself (and then tell your friends that you discovered them).
  1. Max Brand, Beyond the Outposts (1925) — The best book I read all year is a great story and a great audiobook. Kristoffer Tabori brings this Western about a different kind of father-son relationship to life!
  2. Gil Brewer, The Vengeful Virgin (1958) — This book is the true pulp crime experience: it feels like it was written in a flash of inspiration, and Brewer's characters are boldly sexy, violently cruel, lustfully greedy, and utterly remorseless.
  3. Clifford Irving, Fake! (1969) — Part biography, part crime story, part world travelogue, and probably part fiction, this biography of art forger Elmyr de Hory (by the man behind The Hoax) remains wholly engaging and eminently readable.
  4. Drew Karpyshyn, Darth Bane: Path of Destruction (2006) — Yes, it's a Star Wars novel, but anyone who wants to know everything about the growth and development of a Sith Lord needs to read this book, which is set 1,000 years before the movies.
  5. Stanislaw Lem, One Human Minute (1986) — The title piece is alone worth the cover price (but don't skip the other two), as Lem takes us on a tour of what happens all over the world every minute (it's set in the future yet feels timely). It doesn't sound like much, but it's surprisingly entertaining and thought-provoking.
  6. Ira Levin, Son of Rosemary (1997) — A terrific thriller and a fitting end to a career filled with high points. Anyone who dismissed it because of the ending, thinking that it negated the legacy of Rosemary's Baby, simply needs to go back and read it again. You missed some important details.
  7. Charles Portis, True Grit (1968) — Another great Western novel/audiobook, and one of the few to elicit genuine affection from me toward the characters. Anyone who thinks he can skip it because he's seen the movie is fooling himself — the film is a weak imitation. I enjoyed the library copy so much, I bought my own.
  8. Damon Runyon, Guys and Dolls (1934) — Runyon is little-known today, but that should change. He is still probably the best short-story writer ever, and with a style that simply cannot be imitated (not least of which because of its difficulty in doing correctly). Crime fans especially should flock to his work, because it shows criminals from a different time on their off time. This collection was pure pleasure, and as a bonus it made me a regular listener to the old-time radio program Damon Runyon Theater.
  9. Duane Swierczynski, The Blonde (2006) — I found this to be an almost perfect book. It's short and fast, has great characters, and adds pieces of sci-fi and horror to its old-time crime noir plot. I think it would appeal to practically anybody reading this weblog.
  10. F. Paul Wilson, Harbingers (2006) — The tenth Repairman Jack novel is also one of the best, as Jack is even further swept along on a path of "coincidences" out of his control (something he is not used to and cannot stand) toward his predestined fate. What a ride Wilson has taken us on.
(And I only received one of these as a review copy. The rest I got from the library, received as gifts, or — gasp! — paid actual money for.)
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