First Family by David Baldacci (unabridged audio book read by Ron McLarty)

During a birthday party at Camp David, President Dan Cox's niece Willa Dutton is kidnapped and the girl's mother killed. Suspicious eyes turn toward Tuck Dutton, father of the girl and brother to First Lady Jane Cox. Almost immediately, Jane calls private investigator Sean King.

Years ago, when Dan Cox was a senator and Sean was in the Secret Service, he saved the young senator from a potentially career-ruining situation, and now Jane trusts Sean completely. So, he and partner Michelle Maxwell begin investigating the mysterious murder/kidnapping, until she is pulled away by the death of her mother, and she notices that all the evidence points to her father.

Elsewhere, Sam Quarry is angry. His daughter Tippi has been in a coma since a tragic occurrence years ago, and all he can do is wait — and read to her from her favorite book, Jane Austen's Pride and Prejudice. Or is that all he can do? Could it be that revenge is the answer?

First Family takes its time getting started; there's a lot of character history to impart before the book can really get moving. After disc 3, I was close to putting it down for good, but two discs later I didn't want to turn it off. This is a testament to author David Baldacci's skillful plotting.

He has three different main plots going simultaneously (only one of which feels redundant), and yet things never get confusing or out of control. And he really knows just the right spot to spring a surprise bit of information. Although I had low expectations for First Family, I ended up being very impressed. Which is especially surprising since I generally don't care for this brand of mainstream mystery-thriller.

Baldacci offers a highly sympathetic villain. In fact, by the end of First Family, you'll be asking yourself just who the villain really is. Protagonists King and Maxwell (Simple Genius) are comparatively weak. Their developing relationship is such a minor part of the story, since they're so busy, that scenes that bring them alone together feel forced.

However, audiobook narrator Ron McLarty gives one of his best readings yet (assisted by the occasional melody and sound effect). He is equally proficient at all types, but it is his portrayal of Sam Quarry that really shines. Sam is a full-bodied individual. He is really the only character in First Family that feels that way. It almost seems as if McLarty were not involved at all, and that Sam himself were simply caught on record. This is one case where the narrator is able to bring more to the experience than just words on a page.

The Frumious Bandersnatch by Ed McBain (audio book read by Ron McLarty)

What Ed McBain didn't know about modern pop music is written all over The Frumious Bandersnatch, the 53rd in his ever-popular 87th Precinct series. McBain was obviously not a fan of modern music, but his writing (at least at the beginning) suggests that his research consisted entirely of reading gossip magazines (his description of the music video delves into every modern cliche).

I almost didn't finish the novel for that reason. Then I realized I don't seek out McBain's work for social commentary, but because his work is the best at presenting a realistic look at the daily grind of America's big-city police officers. Luckily, that makes up the majority of The Frumious Bandersnatch.

Carella and company are back when new singing sensation, Tamar Valparaiso, is kidnapped during the launch of her debut CD, Bandersnatch. (The title song, and first single, is simply Lewis Carroll's "Jabberwocky" set to music.) Meanwhile, Ollie Weeks (from the 88th precinct) is given his own subplot once again, this time pursuing his romance with fellow police officer Patricia Gomez (who, to me, seems rather dim, but that could only be the way her dialogue is written).

The Frumious Bandersnatch is a weaker entry in the series (the early, more tightly written books are definitely my favorites), but McBain's easygoing skill with words (and Ron McLarty's reading of the audiobook) makes it enjoyable nevertheless, especially during the actual investigation scenes.