The Devil Gets His Due by Peter Brandvold (Lou Prophet Western series)

The first Peter Brandvold novel I read was The Devil Gets His Due, and it set off an appreciation for the man's writing that has continued to this day. It was out of print for quite some time, but now Piccadilly Publishing has rereleased it in ebook form. Below is reprinted the review written by that first-time reader just discovering Brandvold's talent for the first time.

Lou Prophet is a bounty hunter. His motto is you don't stop until the job is done. So, when he met up with Louisa Bonaventure in Minnesota during her search for revenge on the Red River Gang that killed her family, he decided to help her out. Partly because of the reward on their leader, Handsome Dave Duvall, but also because Louisa, whom Prophet dubbed "The Vengeance Queen," was only 17 years old and might be in need of some assistance (and protection).

Since then, the duo have whittled the formerly 20 members of the Red River Gang down to one: Duvall himself, and Prophet wants to take him alone and, if possible, alive. It's part of the bounty hunter code. But "Miss Bonny-venture" wants Duvall for herself, as well, and is willing to die for the pleasure.

The Devil Gets His Due is the fourth novel by author Peter Brandvold to feature bounty hunter Lou Prophet. A prolific writer, Brandvold is the author of multiple series, including the Sheriff Stillman Once books, the Cuno Massey .45-Caliber series, and the Rogue Lawman books. He also writes under the pseudonym Frank Leslie and is reportedly one of the stable of authors writing regularly for the long-running Longarm series.

Based on the evidence of The Devil Gets His Due, Brandvold will be a new favorite. He starts out with action and keeps it coming. His grasp of character is modern yet authentic to the period, and I especially enjoyed that he doesn't take the traditional route regarding an expected love interest between Prophet and Louisa. This alone let me know I was reading a writer of imagination and originality. I've already added three more of his novels to my collection, hoping to sample each of his series in turn. Then I hope to track down some of his newest books.

A Stir of Echoes by Richard Matheson (occult horror)

In memory of author Richard Matheson, I recommend this, one of my favorite books of his. This is another terrific thriller from Richard Matheson. When the film version of A Stir of Echoes came out years ago, it was instantly dismissed as a rip-off of The Sixth Sense — a difficult feat considering that the novel that was the source of the film was written over forty years prior.

As a fan of the film (it is highly underrated and will definitely provide entertainment for fans of the genre) and of Matheson's work, I felt I owed it to myself to check out the original. (For some reason, a definite article is good enough for The Sixth Sense, but an indefinite article not good enough for Stir of Echoes. I'm sure someone was paid well for making that decision.)

When Tom Wallace is hypnotized at a party by his brother-in-law, he turns out to be a surprisingly good subject. Afterward, he is told how malleable he was, and a good laugh is had at his expense when he unwittingly performs a post-hypnotic suggestion.

But then things aren't the same for Tom: he begins having dreams that a woman in black is in his house, and then realizes that he is able to read people's minds. This comes in handy on more than one occasion, but generally appears to be a nuisance, especially to Tom's wife, Anne, who wants him to see a doctor.

Given what I had read of Matheson's, I wasn't surprised by the level of quality presented in the story. What did surprise me, however, was that A Stir of Echoes, although first published in 1958, is not at all dated; it could have just as easily been written today, Matheson's story and characters are so "modern" and timeless. This is particularly true given the modern atmosphere of being more accepting to the idea of spirits "crossing over" from another plane.

As the story progresses, the tension ratchets higher and higher. Matheson hardly lets up, steadily adding more complications to the plot until the surprise revelation. This is one of the reasons that I like Matheson's work so much: the knowledge that I am always in for a ride.

(Fans of the movie please note: the plot of A Stir of Echoes differs from the film in many details. The base story is, of course, the same, but the identities of the participants — the alleged ghost, the alleged killer — are different, which allows for a new experience in reading a book you think you're already familiar with.)

Re-Kindling Interest: Different Strokes: How I (Gulp!) Wrote, Directed, and Starred in an X-Rated Movie by Lawrence Block writing as John Warren Wells

This is one of a series of reviews focusing on out-of-print works that have become available again via a variety of e-book formats.

In 1973, at the height of the mainstream pornography heyday, with films even now considered classics of the style (Deep Throat, The Devil in Miss Jones) playing alongside other Hollywood fare, author Lawrence Block was hired to write a similar film that would have "a real script and a good cast and wide distribution." (Something author Terry Southern predicted in his novel Blue Movie.) The film was to be titled Different Strokes, but things didn't quite work out and it was never made.

But, as part of the deal, Block had arranged with his publisher to document the production in a book that would also include the screenplay and interviews — "for some subsidiary income [since] I wasn't going to be getting much actual cash for [the script]" — and publish it under Block's sexual-behaviors pseudonym, John Warren Wells.

Neither saw a reason why they couldn't go ahead with that part.

The result, Different Strokes: How I (Gulp!) Wrote, Directed, and Starred in an X-Rated Movie, is almost entirely fiction. (Some of it based on actual events that occurred before the production was cancelled.) But, according to Block's afterword in Different Strokes, "that was easy enough. It was fiction, and I'd been writing fiction for years. I liked fiction. You weren't tied down by facts."

And if there's something Lawrence Block is great at, it's fiction. I've been a fan of his for a couple of decades now, and Different Strokes has the same voice, humor, and skill at characterization and storytelling that have made him a best-seller since the 1980s.

His work from before that period is generally of the same quality; it has just been hard to acquire due to its often being hidden under a variety of pseudonyms. But now that Block has begun digitally releasing back-catalog works like Different Strokes: How I (Gulp!) Wrote, Directed, and Starred in an X-Rated Movie — and giving some away on Orange Wednesdays at his blog — it's going to be much easier to find a high-quality Lawrence Block book to read whenever I want one.

Devil's Manhunt by L. Ron Hubbard (western audiobook)

With Devil's Manhunt, author L. Ron Hubbard puts his own spin on the classic "most dangerous game" yarn." The title story first appeared in Famous Western magazine in February 1950, and this audio edition also contains the stories "Johnny, the Town Tamer" and "Stranger in Town."

After eight months of hard work, Tim Beckdolt struck gold in Desperation Peak, Arizona — 175,000 dollars' worth that took him more than three more months to gather up.

A life of leisure is in his direct future, until he's found by a Virginian aristocrat named Bonnet and his Swedish henchman, Sven. They know that the only way to all that money is through Tim's corpse, and Bonnet sees it as an opportunity for a little fun.

While the actor who plays Tim is fine, the performance of Bonnet truly disturbs. R.F. Daley once again delivers a powerful narration, and the only bad apple is Phil Proctor (fantastic in Shadows from Boot Hill), who plays Sven like one of his Firesign Theater characters.

Mortal Lock by Andrew Vachss (collection of 20 short stories and a screenplay)

Crime author Andrew Vachss is well known as a modern master of the hardboiled tale, and the twenty-one works in his latest collection, Mortal Lock, only serve to further that reputation.

Vachss is an attorney who only represents clients under 18, but his doppelganger shows up in "Veil's Visit" (co-written with friend and fellow Texan Joe R. Lansdale) to defend Hap Collins's best friend, serial crack-house arsonist Leonard Pine.

Veil's defense is as funny as it is clever, and Lansdale and Vachss blend their styles seamlessly. It is a treat for Lansdale fans and a welcome source of laughs in the midst of the surrounding darkness.

Because the stories in Mortal Lock are dark, no doubt about it. Vachss seems to specialize in portraying the worst sides of humanity, with only occasional dashes of hope included.

Lucky for the reader, what makes society poorer makes for gripping fiction. From beginning to end, the works in Mortal Lock — I would say "stories," but the final third is devoted to a screenplay adapting the "Underground" stories from Born Bad — are utterly engrossing.

And the characters are originals. Take the narrator of "Ghostwriter," one of two previously unpublished stories. He will do anything to be recognized for his writing, as long as it's for its quality. He doesn't care about the money; he still needs to realize his true ambition, no matter who gets in the way.

"Bloodlines" (source of the title phrase) is the other original in Mortal Lock. To fit in while he waits for his target to come along, a hit man learns the ins and outs of racing "trotters." The story and dialogue were reminiscent of some of the best work of Damon Runyon (a favorite of mine), and I loved learning about an unfamiliar topic while being entertained by two really great characters.

Other memorable characters that come to mind are the cagey old prisoner from "Seeding the Ground," and Rhino and Princess from "Profile" — which features series character Cross, protagonist of Blackjack and numerous short stories. "As the Crow Flies" stars the protagonists of Vachss's latest series, beginning with the novel Aftershock. The story starts out relatively low key, but that allows the ending to hit that much harder.

The writing in Mortal Lock, while it may seem sensational on the surface, is actually quite subtle. This comes out best in the several short-shorts scattered throughout. There are stories like "They're All Alike," "Corazón," "Savior," and "Dead Reliable" that save their gut punch to the end. And tales like "Sure Thing," "Passage to Paradise, and "Pig" may not deliver their full effect until the reader has left them for a while. Their power comes from what is not on the page, but in the final picture those words create in the mind.

Re-Kindling Interest: Via Dolorosa by Ronald Malfi (literary psychological horror)

This is one of a series of reviews focusing on out-of-print works that have become available again via a variety of e-book formats.

"Whatever doesn't kill you makes you stronger, he knew. But he also knew that whatever doesn't kill you sometimes only maims you and weakens you and makes you angrier and colder than you ever thought possible. Not for the first time, he acknowledged that, sometimes, it was probably better just to have it kill you." —from Via Dolorosa

Nick D'Nofrio was a lieutenant in the Iraq war, where he saved the life of one of his men. Now he's a newly married man, paying for his honeymoon at a resort hotel on Hilton Head Island by painting a mural on their wall.

But Nick can't get away from his past, especially not with the father of the man whose life Nick saved working as the hotel's bell captain — he got him the painting gig — and his injured right hand acting up whenever he tries to do any painting.

Nick is on a downward spiral, and he won't let his wife be a support. He chooses instead to spend inordinate amounts of time in the company of a Spanish photographer who only wants details on his war experiences and any photos he has or knows about. This shakes up Nick's marriage at a time when what he most needs is stability.

I'm quite pleased to see that author Ronald Malfi has allowed Via Dolorosa to be rereleased as an e-book. I read it when it first came out in hardcover in 2007, and I was very impressed by Malfi's examination of humanity's darkness, the horrors that we inflict upon each other, most often without intending to.

Malfi's first novel, the gothic horror tale The Fall of Never, was about the negative effects of family. Its followup, The Nature of Monsters, was a departure from the genre, a sort of modernized Great Gatsby that focused on how much we'll take from the people we believe are our friends. Via Dolorosa combines elements of both styles, with Malfi turning his keen eye on marriage and how one person's emotional baggage (specifically the horrors of war) can sour the experience for both parties.

This is a dark, sad, and depressing novel but a very rewarding one. The often dreamlike quality of the prose suits this novel told from the perspective of a troubled protagonist who spends the majority of his time deep inside his own head.

But Via Dolorosa retains a modicum of hope through Nick's constant struggle for escape, in whatever form it avails itself. Whether through the guise of a Spanish photographer or in the shadows of the pointedly named Club Potemkin, or even just at the bottom of a bottle of Red Truck, Nick's continual pursuit of a way out rescues his story from utter bleakness.