Trailin'! by Max Brand
The First Quarry by Max Allan Collins
The Max by Ken Bruen and Jason Starr
Doubt by John Patrick Shanley
"The Frigid Flame" (novella from American Pulp) by Richard Matheson
Ten Plus One by Ed McBain
British Invasion edited by Christopher Golden, Tim Lebbon, and James A. Moore
Shooting Star / Spiderweb by Robert Bloch
Lemur by Tom Bradley
Rio Largo: a Ralph Compton novel by David Robbins
Showing posts with label bizarro. Show all posts
Showing posts with label bizarro. Show all posts
Thursday, June 5, 2008
Books I Read in May 2008
Reviewed by
Craig Clarke
at
3:21 PM
2
observations
Labels:
87th Precinct,
audiobooks,
bizarro,
crime,
Ed McBain,
Hard Case Crime,
hit men,
Hollywood,
horror,
investigation,
Max Allan Collins,
modern classic,
novellas,
Ralph Compton,
short stories,
westerns
Tuesday, June 3, 2008
Lemur by Tom Bradley
Spencer Sproul aspires to be a serial killer. His locker at work (he is a busboy, or "bus-bitch," at Lemuel's Family Restaurant) is papered with portraits of murderers both real and fictitious . His apartment is also loaded with memorabilia.
Unfortunately, he just isn't very threatening (he can't even growl convincingly), and when he breaks into a woman's apartment to kill her, he gets distracted by her book (about a serial killer, natch) and reads it till dawn.
Inspired by the machinations of a convenience store clerk (who he also originally intended to kill), an expert at luring obese people into his shop to consume even more questionable comestibles, Spencer realizes that his best potential murder weapon is the restaurant itself. So he turns his creative talents to marketing — and especially to ratcheting up the effect of its mascot, Lemmy the Lemur (pictured on the cover) — and rapidly moves up the ranks by capitalizing on the subliminal power of gonzo advertising.
Satire is not a strong enough word for what Tom Bradley is doing with Lemur. Every character is painted with a bizarro brush, and yet they remain relatable. Spencer can't even use English properly (Bradley calls this "oral dyslexia"), but he isn't hard to understand, and this difference actually works to make him more engaging and sympathetic.
Readers who like their social commentary wrapped up in absurdity will find a lot to like about Lemur. You can read it as a tightly written treatise on consumption in the modern age, or as the touching story of a serial killer's coming of age. Either way you choose to approach it, this darkly comic novella is sure to entertain.
Unfortunately, he just isn't very threatening (he can't even growl convincingly), and when he breaks into a woman's apartment to kill her, he gets distracted by her book (about a serial killer, natch) and reads it till dawn.
Inspired by the machinations of a convenience store clerk (who he also originally intended to kill), an expert at luring obese people into his shop to consume even more questionable comestibles, Spencer realizes that his best potential murder weapon is the restaurant itself. So he turns his creative talents to marketing — and especially to ratcheting up the effect of its mascot, Lemmy the Lemur (pictured on the cover) — and rapidly moves up the ranks by capitalizing on the subliminal power of gonzo advertising.
Satire is not a strong enough word for what Tom Bradley is doing with Lemur. Every character is painted with a bizarro brush, and yet they remain relatable. Spencer can't even use English properly (Bradley calls this "oral dyslexia"), but he isn't hard to understand, and this difference actually works to make him more engaging and sympathetic.
Readers who like their social commentary wrapped up in absurdity will find a lot to like about Lemur. You can read it as a tightly written treatise on consumption in the modern age, or as the touching story of a serial killer's coming of age. Either way you choose to approach it, this darkly comic novella is sure to entertain.
Reviewed by
Craig Clarke
at
11:30 AM
3
observations
Labels:
bizarro,
comic novels,
crime,
literary,
novellas,
serial killers,
Tom Bradley
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